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New York, NY (PRWEB) January 12, 2012

known and versatile Art Deco muralist Hildreth Mae again (1892-1961) was devoted to the Biblical Museum of Art, an exciting new exhibition tell the wall: the history of art Hildreth Mae ? again. On view from February 3 to May 20, 2012, windows walls speak of liturgical projects in this innovative artist creates many of the areas most famous landmarks Greater New York of worship, including Temple Emanu-El, the church “Saint-Bartholomews;. St. Michaels passionist monastery church in Union City, New Jersey and other religious objects Regina A. Quick Organizers Arts Center at the University “St. Bonaventure and curator of Catherine Coleman Brawer exhibition includes more than 90 sites, including hand painted altarpieces and field samples of mosaic. Also on the representation of gouache studies, animations and models, which are the basis for Mae? RES ready to design, as well as photos of some of his best stories committees. This is the first presentation of the walls talk will focus exclusively on Mei ? RES great job for synagogues and churches. Visitors will be able to rediscover the great American muralist, whose avant-garde approach to design, materials and technology drives its popularity at a time when few women artists have won wide recognition and artistry enhanced sacred spaces .

Specializing in

mosaicnow almost lost again artHildreth Mae is one of the most famous and prolific muralists of the 20th century. On the first fans of Art Deco, she drew inspiration from medieval mosaics in Ravenna, the Renaissance frescoes in Florence, which is a sleek modern style with traditional motifs. She received her first major commission from the leading architect Bertram Goodhue, and G. during his career, completed over 100 projects, which are evenly distributed between secular and religious. She left her mark in the wide landscape of New York, including New York World Fair of 1939, Radio City Music Hall, Red Room banks on Wall Street and Cathedral “of Saint Patrick.” In 1956 she became the first woman to receive Medal of Fine Arts of the American Institute of Architects and was the first woman appointed to the New York City Art Commission.

Hildreth Mae again artist who has left a deep mark in New York, said

Dr. Ena Heller, executive director MOBIA. The exhibition examines his role in the design of many of America’s most beautiful temples and reveal him as a creative force that deserves a place among the most skilled artists of the 20th century.

Exhibition Background

Born in New York society and in Europe to study art, Mae? re-designed costumes, which appear at the Metropolitan Opera, as even in 1917. During a career spanning five decades, he created monumental buildings for religious, public and commercial buildings. Illustrative topics ranging from astronomy to the women’s movement, she came to the mythology, Bible stories, saints’ lives and American Indian art. Through research, working drawings, models and photographs of the finished interior, made by artists Hildreth Mae’s granddaughter? The work of Dan MOBIA visitors to see firsthand how Mae? Resolution is developing the creative process from concept to final form. The exhibition includes newly restored footage Mae? Again and artists at work on a portable triptych for the armed forces during World War II. Three of her triptych are on display.

Mae? again working with highly skilled European craftsmen trained to carry out their projects in the tiles in the Byzantine style glass mosaics, mosaic expression, wood and glass decor. Known in his life, his work has received less attention, as styles and tastes have changed.

The main exhibition

(see attached photo)

St. Peter mosaic pattern Transfiguration, 1928, “Saint-Bartholomews, New York. Glass Mosaic, 58? x 59?. For the first time in glass mosaic, Mae? again displayed on the Transfiguration, as described in the Gospel of Mark, half dome Its apse Byzantine-style mosaic is composed of a mosaic of fragments -.. of stained glass, mixed with gold leaf glass Many shades of gold were employed

.

Pelican sample panel of the apse mosaic in 1929. The church “St. Bartholomews, New York. Glass Mosaic, 50 x twentieth St. Richard Parish, St. Louis, Missouri, promised gift Bonaventure University” Sv. May was again commissioned to create projects with a variety of animals including lion, unicorn, eagle, peacock, pelican and deer all the symbols of Christ, as inserts in the lower part of the apse. In this figure, the Pelican piercing its breast to feed her chickens.

Triptych

not. 146 to the armed forces, our God will fight for us, the Second World War in 1944. Oil wood with gilded plaster, 60 x 72? Virginia War Museum, Newport News, Virginia Mae again said that her family due to the war, I became more and more the altars, the spiritual … It is said to make 500 of them, and I rely heavily on the design and direction. God, help me! May? Again resulted in a program to provide portable altars soldiers that have been used in Jewish and Christian service during World War II. From biblical figures in the walls of Jerusalem on the left wing of the triptych are the modern builders of bridges and troops during the liturgy of the right wing.

Walk

homing walking tour of New York will allow users to view a full range of settings, including Mae? RES mosaic arch to the main sanctuary of Temple Emanu-El, the largest synagogue in the world.

funding

substantial support exhibitions and programs MOBIAs was given the American Bible Society and the Howard and Roberta Ahmanson. This program is supported in part by public funds from the Ministry of Culture in New York, in partnership with the city council. Walls Speak was made possible by the New York State Council on the Arts “with the support of Governor Andrew Cuomo and New York State legislature.

Museum of Biblical Art

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Located near Lincoln Center in 1865 on Broadway sixty-first Street, the Museum of Biblical Art presents critics, art exhibitions, offering high quality, affordable programs for the enrichment of art for visitors of all ages. MOBIA celebrates and interprets the art, connected with the Bible and its cultural legacy in Jewish and Christian traditions through exhibitions, education and science. Past exhibitions ranging from the masters of Italian Renaissance art of Marc Chagall. Access to the exhibition is free MOBIA for members and children under 12 pay what you wish for adults, with an offer for admission is $ 7, free Sundays. Museum hours Tue, Thu, Fri, Sat: 10:00 am to 6 .. 24:00 Thu: 10:00-8: 24:00 Sat: Closed. Visit http://www.mobia.org for more information about current exhibitions and public programs

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